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Fully sweepable variable impedance loading from 150ohms to 15kohms
High-pass filter frequency is variable from below 20hz to over 200hz
Dual gain settings allow for a +12dB or +25dB increase
Increases gain before feedback ratio in live & public address performances
Easy to use self contained design requires only phantom power
Compatible with tube, battery, or power supply driven microphones
Protects any passive ribbon w/ no transfer of phantom
Rugged, road ready and portable, for studio, stage and broadcasting
Free lifetime limited warranty for parts and labor w/ product registration
Upgrade the Potential of Your Microphone and Preamp
Cloudlifter Mic Activators use phantom power from your preamp to solve an array of common issues with microphones. Cloudlifters provide up to +25dB of ultra-clean gain, maximizing the microphones’ signal strength and clarity, which lowers the noise floor and amount of gain required with any preamp. By allowing preamps to operate in a more comfortable gain range, the frequency response remains more intact and the self- noise of the preamp is reduced.
Character Control using Variable Input Impedance Loading
The CL-Z provides up to +25dB of ultra-clean gain, variable input impedance and a variable high-pass filter. Having an input impedance control that is sweepable from 150 ohms to 15k ohms allows you to creatively load the microphones’ output transformer, with the result being a wide range of new tonal variations becoming available to each mic.
Variable High-Pass Filtering = Proximity Effect Control
The variable high-pass filtering works in conjunction with the impedance value, allowing for even more tonal shaping and control. When engaged, the frequency cutoff is affected by the impedance setting. This allows for a sweep-able frequency cutoff range from below 20hz to approximately 200hz, just by turning the “Z” knob. This can be especially useful for tonal shaping or reducing the proximity effect of a ribbon or dynamic microphone.
Variable Gain
The CL-Z has a two-position gain switch allowing for more gain, or the maximum gain available. Most of the time the MAX (approx. +25db) position will be used, however, the reduced gain setting (approx. +12dB) may be useful in situations where the source does not require as much gain, or where more of the preamps’ color from additional gain is desired.
For more information on this or any other Cloud Microphones product, visit www.cloudmicrophones.com
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