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This Atmos 7.1.4 system is a passive monitoring system optimized for immersive mixing workflows in large professional production facilities
Consistent sonic balance between amphion monitors is a guarantee for immersive systems
These monitors are free of DSP processing - powering them externally contributes to highest level of resolution
Correctly-produced bass information by Base Extension system contributes to three dimensionality – which is of particular importance when talking about Dolby Atmos
Bundle includes (3) Two18 monitors (main LCR), (8) One18 monitors (surround), (1) BaseTwo25 System (bass extension), (1) FlexBase25 System (bass extension and management system), (2) Amp700 power amplifiers (for LCR), (1) Amp400.8 power amplifier (for surround & OH), (3) Speaker cables (11.5'), and (4) Ceiling/wall mounting adapters
This Amphion 7.1.4 Immersive Music System is a passive monitoring system optimized for immersive mixing workflows in large professional production facilities.
The main components of the system are three Two18 2-way passive monitors for left, center, and right channels and eight One15 2-way passive monitors for surround and overhead channels. Massive low-end is provided by the BaseTwo25 system (L/R) and the FlexBase25 system (LFE).
Two Amp700 stereo power amplifiers power the LCR channels while a single Amp400.8 8-channel amplifier drives the surround and overhead channels with fast, controlled, and low distortion Class D power. Four custom ceiling/wall mounting adapters allow you to securely fasten the overhead speakers to industry-leading König & Meyer mounting hardware.
For professional engineers and producers looking to equip their studios for immersive mixing, Amphion has your monitoring needs covered!
THIS BUNDLE CONTAINS:
AMPHION TWO18 2-WAY PASSIVE STUDIO MONITOR (QTY: 3 SPEAKERS TOTAL)
The Amphion Two18 Studio Monitor is the number one choice for a number of A-list composers, sound engineers, and producers. The Two18 monitors provide them the confidence that their work will translate accurately to the outside world. These loudspeakers provide a neutral presentation, with a phase-accuracy and imaging that is second to none. Whether you are composing, tracking, mixing, or mastering, the Two18 studio monitors are the perfect tool to assist you finishing your work both faster as well as achieving premium results. These transparent and elegantly-truthful studio monitors are perfectly balanced, and easily respond to any acoustic environment, personal tastes, or music genre.
AMPHION ONE18 2-WAY PASSIVE STUDIO MONITOR (QTY: 8 SPEAKERS TOTAL)
The Amphion One18 Studio Monitor offers a wide sweet spot and pinpoint-accurate imaged sound. This allows for fast and accurate creative decisions. Whether you are writing music, recording, or mixing, the One18 loudspeakers can be your creative weapon-of-choice. Thanks to their natural tone and balanced frequency response you can enjoy 12-hour-long sessions, with no ear fatigue. Extremely detailed but not bright or harsh, the One18 studio monitors allow you to achieve great results quicker and without any doubt. Their perfect translation to any other listening system or environment brings no surprises when auditioning your work outside of your studio.
AMPHION BASETWO25 LOW FREQUENCY EXTENSION SYSTEM
The BaseTwo25 is a state-of-the-art monitoring solution converting any Amphion two-way studio monitor into a full-range, time and phase coherent, three-way system. These full-range towers extend all the way down to 20 Hz. Each BaseTwo25 has 2 x 25 cm woofers (top) and matching 2 x 25 cm radiators (below) mounted in back to back force-canceling mode on both sides of the cabinet. The system is driven by 2 x 900 W amplifier, and controlled by Amphion’s signature filtering module with a variable-level attenuator.
AMPHION FLEXBASE25 STEREO BASS-EXTENSION AND MANAGEMENT SYSTEM
The Amphion FlexBase25 is a stereo bass-extension and management system with a separate LFE-channel input and FlexAmp1200 amplifier/crossover. The FlexAmp1200 amplifier update will bring more control, speed, and definition to the system. Nailing the lowest octave-settings and translating it precisely from a studio to any listening situation is the foremost challenge for any contemporary music production. The fragmented playback environment demands extreme precision in the process of music creation and sound editing, especially when it comes to modern, bass-heavy production.
AMPHION AMP700 STEREO POWER AMPLIFIER (QTY: 2)
The Amphion Amp700 delivers rock-solid control and tight, fast, highly resolving power to draw maximum performance from your Amphion monitors. Amp700 provides 2 x 350 W for 8 ohm, and 2 x 700 W to 4 ohm load, which supplies an abundance of headroom for the highest level of performance. The buffer stage allows you to set the amplifier gain according to the used speaker model/application, making the Amp700 highly suitable for all Amphion models.
AMPHION AMP400.8 8-CHANNEL AMPLIFIER (QTY: 1)
The Amphion Amp400.8 provides an exceptional level of multichannel amplification. It is built on the highly advanced Class-D platform, which offers abundant, fast, controlled, and low distortion power. To reach the needed sonic character and performance, an in-house designed buffer-stage was added to complement the merits of the latest Class D technology. The buffer stage improves the impedance characteristics and cohesion between the channels, so that speed, control, neutrality, and ultra-low distortion can come across in an emotionally involving manner.
AMPHION SPEAKER CABLE - 11.5' (QTY: 3)
Specially braided silver coated copper conductor with Chord banana connectors. Same conductor is used as internal wiring to ensure perfect synergy. Use these 11.5' cables to connect the Amp700s to the LCR channel monitors.
CEILING/WALL MOUNT ADAPTER (QTY: 4)
To ensure safe and speedy installation, the four overhead monitors can be equipped with this custom adaptor, which connects securely to industry-leading Konig & Meyer mounting hardware.
For more information on this or any other Amphion product, visit www.amphion.fi.
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